Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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unknow artist
Classical hunting fox, Equestrian and Beautiful Horses, 150.

ID: 46122

unknow artist Classical hunting fox, Equestrian and Beautiful Horses, 150.
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unknow artist Classical hunting fox, Equestrian and Beautiful Horses, 150.


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unknow artist

  Related Paintings of unknow artist :. | Floral, beautiful classical still life of flowers.077 | Portrait of Ekaterina Dolgorukaya | Landscape,Ruins and Figure | Hercules Protects Painting from Ignorance and Envy | Still life floral, all kinds of reality flowers oil painting 180 |
Related Artists:
Giovanni Baglione
(1566 - 30 December 1643) was an Italian Late Mannerist and Early Baroque painter and art historian. He is best remembered for his acrimonious involvement with the artist Caravaggio and his writings concerning the other Roman artists of his time. A pupil of Francesco Morelli, he worked mainly in Rome, initially with a late-Mannerist style. He was also nicknamed Il Sordo del Barozzo.
Clarkson Frederick Stanfield
English Painter, 1793-1867 He is often wrongly referred to as William Clarkson Stanfield. The son of Mary Hoad and James Field Stanfield, an Irish actor and author, he was apprenticed to a heraldic coach painter at the age of 12, but in 1808 he abandoned this and went to sea in a collier. In 1812 he was press-ganged and spent two years on HMS Namur, the guard-ship at Sheerness. After being discharged as the result of an injury in 1814, he joined the merchant navy, sailing to China in the Indiaman Warley in 1815. Soon after his return in 1816 he missed his ship and became a scene painter, first at the Royalty Theatre, Stepney, and then at the Royal Coburg, Lambeth. There he was later joined by David Roberts, who became a lifelong friend, and in 1822 both men were employed as scene painters at the Theatre Royal, Drury Lane. During the next 12 years Stanfield established himself as the most talented scene painter of his day, causing a sensation with some of his huge moving dioramas such as the scenes of Venice in the pantomine Harlequin and Little Thumb (1831). Meanwhile he was building an equally impressive reputation as an easel painter. He first exhibited at the Royal Academy in 1820 and continued to exhibit there regularly until his death. He was elected ARA in 1832 and RA in 1835.
BRAMER, Leonaert
Dutch Baroque Era Painter, 1596-1674






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